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14.5.13

Poetry: William Wadsworth: Ode, Intimations of Immortality...

536. Ode
Intimations of Immortality from Recollections of Early Childhood


William Wordsworth. 1770–1850
  
536. Ode
Intimations of Immortality from Recollections of Early Childhood
  
THERE was a time when meadow, grove, and stream,
    The earth, and every common sight,
            To me did seem
    Apparell'd in celestial light,
The glory and the freshness of a dream.         5
It is not now as it hath been of yore;—
        Turn wheresoe'er I may,
            By night or day,
The things which I have seen I now can see no more.
        The rainbow comes and goes,  10
        And lovely is the rose;
        The moon doth with delight
    Look round her when the heavens are bare;
        Waters on a starry night
        Are beautiful and fair;  15
    The sunshine is a glorious birth;
    But yet I know, where'er I go,
That there hath pass'd away a glory from the earth.
Now, while the birds thus sing a joyous song,
    And while the young lambs bound  20
        As to the tabor's sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
        And I again am strong:
The cataracts blow their trumpets from the steep;  25
No more shall grief of mine the season wrong;
I hear the echoes through the mountains throng,
The winds come to me from the fields of sleep,
        And all the earth is gay;
            Land and sea  30
    Give themselves up to jollity,
      And with the heart of May
    Doth every beast keep holiday;—
          Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy  35
    Shepherd-boy!
Ye blessèd creatures, I have heard the call
    Ye to each other make; I see
The heavens laugh with you in your jubilee;
    My heart is at your festival,  40
      My head hath its coronal,
The fulness of your bliss, I feel—I feel it all.
        O evil day! if I were sullen
        While Earth herself is adorning,
            This sweet May-morning,  45
        And the children are culling
            On every side,
        In a thousand valleys far and wide,
        Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother's arm:—  50
        I hear, I hear, with joy I hear!
        —But there's a tree, of many, one,
A single field which I have look'd upon,
Both of them speak of something that is gone:
          The pansy at my feet  55
          Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?
Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life's Star,  60
        Hath had elsewhere its setting,
          And cometh from afar:
        Not in entire forgetfulness,
        And not in utter nakedness,
But trailing clouds of glory do we come  65
        From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
        Upon the growing Boy,
But he beholds the light, and whence it flows,  70
        He sees it in his joy;
The Youth, who daily farther from the east
    Must travel, still is Nature's priest,
      And by the vision splendid
      Is on his way attended;  75
At length the Man perceives it die away,
And fade into the light of common day.
Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother's mind,  80
        And no unworthy aim,
    The homely nurse doth all she can
To make her foster-child, her Inmate Man,
    Forget the glories he hath known,
And that imperial palace whence he came.  85
Behold the Child among his new-born blisses,
A six years' darling of a pigmy size!
See, where 'mid work of his own hand he lies,
Fretted by sallies of his mother's kisses,
With light upon him from his father's eyes!  90
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learnèd art;
    A wedding or a festival,
    A mourning or a funeral;  95
        And this hath now his heart,
    And unto this he frames his song:
        Then will he fit his tongue
To dialogues of business, love, or strife;
        But it will not be long 100
        Ere this be thrown aside,
        And with new joy and pride
The little actor cons another part;
Filling from time to time his 'humorous stage'
With all the Persons, down to palsied Age, 105
That Life brings with her in her equipage;
        As if his whole vocation
        Were endless imitation.
Thou, whose exterior semblance doth belie
        Thy soul's immensity; 110
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read'st the eternal deep,
Haunted for ever by the eternal mind,—
        Mighty prophet! Seer blest! 115
        On whom those truths do rest,
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the Day, a master o'er a slave, 120
A presence which is not to be put by;
          To whom the grave
Is but a lonely bed without the sense or sight
        Of day or the warm light,
A place of thought where we in waiting lie; 125
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being's height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife? 130
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight,
Heavy as frost, and deep almost as life!
        O joy! that in our embers
        Is something that doth live, 135
        That nature yet remembers
        What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest— 140
Delight and liberty, the simple creed
Of childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:—
        Not for these I raise
        The song of thanks and praise; 145
    But for those obstinate questionings
    Of sense and outward things,
    Fallings from us, vanishings;
    Blank misgivings of a Creature
Moving about in worlds not realized, 150
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
        But for those first affections,
        Those shadowy recollections,
      Which, be they what they may, 155
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
  Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake, 160
            To perish never:
Which neither listlessness, nor mad endeavour,
            Nor Man nor Boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy! 165
    Hence in a season of calm weather
        Though inland far we be,
Our souls have sight of that immortal sea
        Which brought us hither,
    Can in a moment travel thither, 170
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.
Then sing, ye birds, sing, sing a joyous song!
        And let the young lambs bound
        As to the tabor's sound! 175
We in thought will join your throng,
      Ye that pipe and ye that play,
      Ye that through your hearts to-day
      Feel the gladness of the May!
What though the radiance which was once so bright 180
Be now for ever taken from my sight,
    Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
      We will grieve not, rather find
      Strength in what remains behind; 185
      In the primal sympathy
      Which having been must ever be;
      In the soothing thoughts that spring
      Out of human suffering;
      In the faith that looks through death, 190
In years that bring the philosophic mind.
And O ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquish'd one delight 195
To live beneath your more habitual sway.
I love the brooks which down their channels fret,
Even more than when I tripp'd lightly as they;
The innocent brightness of a new-born Day
            Is lovely yet; 200
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o'er man's mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live, 205
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
 

12.4.13

Le Poisson d’Avril 2002

In 2002,  the Belle Papier yahoogroup [ended] traded Poisson d'Avril faux stamps at the instigation of member, Kelly.

With the prospect of new writing paper and somewhat matching envelops, I decided on a very serious whim to decorate a rather nice cigar box with stamps.   I sorted out the Belle Papier stamps from those real stamps from around the world that I received in the mail on envelops, or from friends who brought them back to me from their travels.

Left hand section, under construction


I really enjoyed that exchange.  If anyone wanted to do it again, I'd sure be game.

Book Review: An Illustrated Journey, Danny Gregory


I've just read it, page by page or rather artist by artist after having circled around aimlessly and madly.  I also have been following Danny Gregory's blog posts which include interviews with the artists in An Illustrated Journey.

It is terrific.

The interviews are a wonderful supplement to the book, and Danny brings out the best in each artist, where they share themselves, their work, their techniques and their tools.

The more remarkable aspects of this compilation is the breadth of the artists Mr. Gregory selected, not one alike, yet all with a similar if not identical passion--sketching on the road, on a trip, even if that trip, like Roz Stendahl, is just a few miles away.

It was most fascinating to me to hear the interviews of those artists I knew little or nothing about and see their background space and hear them voice their enthusiasm for the magic of a sketchbook.   The interview with Lisa Cheney Jorgensen spurred me to get my two grand-daughters, aged nearly 9 and just 6 to draw self portraits.

If I ranked this book among many I'd give it an A+ and if I ranked it among Mr. Gregory's I'd rank it at the top of  my growing pile of Danny Gregory offerings.


9.3.13

Anne Frank, Danville, Ohio & the Letter Writers Alliance




The Letter Writers Alliance posted that Danville, Ohio's young people are seeking postcards so that the more than one million children lost during World War II in the Holocaust may be remembered in a small way by the thought of them.

Bloemgracht, Amsterdam, the Netherlands (via Bing)
As I have been nostalgic for Amsterdam, my home on the Bloemgracht and jealous that my friend Barbara is going to visit and stay on a canal boat near my old stomping ground in the Jordaan, the notion of sending a postcard is more than appealing.   The Bloemgracht runs into the Prinsengracht and the Anne Frank House. It is a building I often passed to and from two friend's houses directly across the canal and the way to my daily greengrocer.

Prinsengracht, Amsterdam, the Netherlands (via Bing)

So appealing is this request, I thought I'd cross post so that the few that read my blog and may not have heard of the Alliance, would consider joining me in sending a postcard, too.  I think I will turn one of my collages for a holocaust project, stored away, into a postcard, thus in keeping with the theme.

Postcards can be sent to

Danville Schools
419 S. Main Street
Danville, Iowa 52623



1.12.12

Books: The Remarkable Cornell

From under glass, two editors bring to life both a book and CD of the remarkable Joseph Cornell and shed new light or perhaps less shadow on his work and his inventions.

Habitat Group for a Shooting Gallery (1943), Construction, 15 1/2 x 11 1/8 x 4 1/4 in






"The Manual of Marvels" is a must have on my holiday gift list and would be a wonderful addition to my Cornell collection of books.

29.10.12

Moved and Maddox

I've moved. 
I'm rattled.
I'm overwhelmed.
And I have very rural-like services that do not permit lingering on-line.  I did, however, catch Making a Mark and saw this short clip of Ford Maddox Brown's "Work."



The Pre-Raphaelites have always been among my favourites and I so wish I could catch this show at the Tate.  If you can, run because it has more than one hundred examples of this English period.

17.9.12

Winner: Seaside Studios


One of the blogs I regularly follow is Lisa Le Quelenec's Seaside Studios.  Lisa is a most wonderful artist who lives in and often paints and even draws those elements in nature I admire.

Well, recently Lisa celebrated a blog anniversary.  I commented.  And I won this painting.  It is now here in the US waiting to be framed and hung in my new home in October.

Lisa offers some of her work at etsy.com here.

I am so pleased.

5.9.12

Tribute to Senator Edward M. Kennedy

For all those who knew him, for those that wished they knew him, and for those of us who had the privilege in Massachusetts to vote for him, this is a splendid, tear provoking tribute.





During these stressful 3-1/2 years, I've wished for the likes of Senator Kennedy to intervene and speak the truth.

19.8.12

How Flabby is your Brain?

via artist Wendy MacNaughton as it appeared in Forbes Magazine.