All those books...and more

Writing a book doesn't mean you stop reading, but rather you might find yourself, or oneself, reading more.  In fact, many writers recommend that the best way to learn how to write is to "read."  I echo that recommendation, but also one need know which books to read and when.  Of great import is  whether you already own the book before rushing off to the bookstore to buy another.

With that in mind, I rediscovered Library Thing, when I was in Pittsburgh for the holidays and yesterday I started logging in my own stacks of books. 

After listening to Diane Rehm's hour long show on "Dinner at the Homesick Restaurant" by Anne Tyler, I went home nearly certain but in some doubt whether (a) I read it, and (b) I had it.  Thus far, I can't confirm either as I have only gotten to the third shelf of numerous bookcases with multiple bookshelves. 

When I lived in New York and Providence, all my books were alphabetized by subject, mostly fiction, but here at Little Wagner I have books in three rooms, all cradled into smaller footage and hence not so methodically housed.  The only area of clarity is poetry with a bookcase of its own in the living room. 

But even among that lot of poetry books, I have books on or about writing and nearly repurchased "Writers and their Notebooks," Margaret Atwood's "Negotiating with the Dead," and "Reading Like a Writer" which Kelly McMasters had recommended and which I had bought at her now extinct bookshop Moody Road Studios.  I then neglected the books and the shop.  I suppose I am partially responsible for not having a proper bookseller in the county as I didn't buy more than half a dozen books at Moody Road.  Sigh!

Then in the middle of cataloging the books, one shelf tumbled down on another, and now I am surrounded by books, all out of order, and screaming to be eaten as Ray Bradbury declared in Fahreheit 451:

I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name ’em, I ate ’em.
And on this last day of 2014, with resolutions in the air and snow on the ground, I'd much rather write or eat a book in this celestial garden

Patrick Leigh Fermor summer home

then think about writing in long janes, a heavy sweater, and a vest, fluffy socks on my feet and lined Merrills.

Happy New Year to all, and to all a good day!


Save the Books: James Patterson

A petition, letters, fanfare, James Patterson's campaign to save the books, and the shops that sell them.

Check out his website


What I did in November: start a novel Nanowrimo way!

What prompted me?  Not certain.

How I did!  I qualified on November 22 with about 65,000 words.

Where is it going and how did I do it?

Taking a page from Nanowrimo winner, Pete Denison, who shared his tools at the beginning of the challenge,

I used these analog tools:

Analog tools

I was out and about when I first thought to do Nanowrimo and had an Exaclair sketchbook with me. It  is too precious for just plain scribbling so I pulled out a red Moleskine.  I've always thought "red" was energy and to complete 50,000 words in 30 days needs energy.   I also had a Fabriano A5 Misto spiral notebook that I used for scheduling and a small Midori Diamond Memo reporter which I carried around, even from room to room, as thoughts went through my head.

Books were a huge part of my creative process as those wonderful friends are characters in the novel.

And these digital tools:

I would normally have just written in Microsoft Word but at the outset it seemed to be corrupted and I started to panic.   I didn't want to buy another package, and called my not very local Mac distributor in New York City, Tekserve, to see if they could help me.   The Tech Rep mentioned in passing a downloadable program called, Open Office.  I downloaded it straight away and discovered it was easy to master.

I started to write in Open Office and quickly did import and export with Scrivener.

Winners got a discount yesterday, December 1, for this fabulous program.  I was able to cut and paste without really moving around as one would other programs and simply created a new document;  one can merge two documents with the flick of the wrist, and it keeps a count of your individual document words, and then project statistics, making it easy to see where you are in reaching your goals.

Back two years ago one of the Women's Festival in Hobart (New York) workshop presenters mentioned Scrivener, but I wasn't writing a novel then and didn't buy it.

Yesterday I got my registered copy of the program and feel I was given a gift.

I intend to edit and finish the novel before the Spring hits the Valley.

Midori bought at Jet Pens
Fabriano bought a Brushstrokes
Moleskine Red Sketchbook, options nationally
Exaclair, gifted
Scrivener at Literature & Latte