Showing posts with label MoMa. Show all posts
Showing posts with label MoMa. Show all posts
3.4.09
Tangled Alphabets at MoMA
León Ferrari and Mira Schendel exhibit "Tangled Alphabets at the MoMA through June 15, and reviewed at the New York Times, is undoubtedly visually appealing, but it is the backgrounds of the two artists and how they came together that has great appeal to my senses. A book of the same name is available here and at the museum.
León Ferrari (b. 1920) is from Argentina. Mira Schendel (1918-1988) was from Brasil. Their inquiry into language brought them together to create some of South America's most significant 20th century modern work.
Although my art history is severely lacking, I don't believe there are too many examples of artists working in such harmony, and with one mind at such a wide geographical divide. Van gogh had Gauguin for awhile to share and exchange ideas; Berger has Christie as evidenced in I send you this cadmium red. Undoubtedly there are others I am not aware of or can't call to mind. And certainly many familial relationships among artists are well documented.
These two artists, living apart, thinking along similar lines, produced work of this high caliber, now documented for a wider audience and one that I am privileged to now know.
Labels:
MoMa,
Pentamento,
Tangled Alphabets
8.1.09
Marlene Dumas at MoMA
Deborah Solomon paints Dumas masterfully here.I'm not familiar with Dumas' work nor did our paths cross in Amsterdam.
However, it is always a pleasure to hear of success and particularly in the topsy turvy world of art.
Conceptualism was at its zenith in the Netherlands in the 70s, and it took me a long time to grasp its positives. However, it certainly launched some respectable art and then floundered and nearly disappeared from the scene.
Moving from conceptualism to interpretative painting does not seem a strange leap and apparently it landed Dumas' on her feet. It is no small feat to sell a modern painting for more than a million dollars, and Dumas did just that.
Of the work Solomon mentions in her piece I especially would like to see Dumas' watercolours and collages on paper.
Added later @ 18 November 2009
Labels:
Marlene Dumas,
MoMa,
Pentamento
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